Abstract
The virtual artwork amounts to a complex set of issues, at the intersection of several tendencies, which develop into some un-predictable process of actualization. Since the artwork, being interactive, is able to embody in a new way the actions of the users, it becomes the form of an irreproducible experience ta-king place as an event in the environment it creates. All this forces use to think the body-environment structure as essen-tially relational, or as a place existing in encounter only.
